![]() You saw these designers being able to explore really rapidly what the end experience for their customers was going to be. ![]() That was what was really magical about it. Flash was, in some ways, so far ahead of its time because it really reduced the distance between the idea and the creation of that idea. Josh: It’s interesting because a lot of it for me comes back to Flash. Are there things from your past that you draw inspiration from? Many designers now spend their careers focusing on product design. Geoff: Our tools have changed a lot, as have our jobs. Flash just opened up so many doors for designers like you and I back in the day, and we jumped right in, full force. It was something the internet was starving for. When I did that butterfly, no one had ever really seen the internet come alive like that. You’re really dating yourself now if you remember the butterfly! The cool thing about Flash is that it’s a great connection to where we are today-more on that later. And The Remedi Project - the site with the butterfly. Geoff: Quokka was incredible - some of the first really purposeful interactive stuff on the Web. I had also done another art project called The Remedi Project. Then, my claim to fame was around the Flash world because back in the Quokka days, we were using Flash to do these really rich, immersive for the time, Flash experiences. Then, was largely just part of the design team at Adobe for years and years, left for a while to go abroad and work for Vodafone for a couple of years over in London, and then came back to Adobe.Įven before that, I worked, back in the dot-com boom days, for a startup called Quokka Sports, which only very few old timers will remember. I was at Macromedia before Adobe acquired Macromedia, and then came over in that and was part of those two worlds colliding. I’ve got an amazing design team that builds and lovingly crafts all of those tools. We work on all of the things you think of when you think of Creative Cloud: Photoshop, InDesign, Illustrator, all the desktop products as well as what Creative Cloud means. I run the Creative Cloud and Platform arms of that. We have a centralized design organization, Adobe Design, which is responsible for all of the product design that happens at Adobe. Josh: Thank you! I’m Senior Director of Experience Design at Adobe. You can also change an object orientation via the property inspector on the right, by editing the orientation value.Josh Ulm, Senior Director of Experience Design at Adobe This is very useful if you want to precisely change the orientation of your object. To rotate an object, first select it, then move the mouse cursor very close to one of the rounded handles around the object, until it turns into a rotation cursorĪt this point, just drag the handle in the direction you want the object to rotate to.īy holding down the SHIFT key, your object will rotate by 15 degrees increments.
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